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In some ways, what I like seems to combine aspects of both French design with perhaps a little English influence. However, what struck me even more was Stefan’s description: the house (designed by Paul Cret, a French architect), was built between a Louis XV house and a Georgian style house.The house in this picture was meant to compliment the French house on one side, but make an easy transition to the Georgian house on the other side.

Red brick does not seem to go well together with a French style house, so I researched painted brick.

The new 19th century American-invented power-driven lathe used steam power – the craftsman worked at guiding his cutting chisels.

This made it much easier for the colonial look to be mass produced.

Our Brimfield trip was so inspiring that I thought it might be fun to look at a frequent flea market find – the spool bed (named for its resemblance to sewing spools) a.k.a. Do you have a flea market find that you’d like to know a little about? (amya at designsponge dot com) and I’ll do a little research. Colonial Furniture The favorite tool of colonial woodworkers across America was the lathe.

In England, 16th century woodworkers left hardly an inch undecorated on furniture pieces and while their American counterparts were more modest, they were still enthusiastic about the technique and turned wood became emblematic of colonial style.

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(Photo credit: Things That Inspire)Another home whose architectural appearance and color palette has immense appeal to me is the personal home of designer (and attorney) Ty Larkins, whose home appeared in the December issue of House Beautiful.

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